Untitled 60D048
Untitled 60D048 (#60D048) is a medium, moderately pigmented shade of green. In paint terms it sits in the balanced family with HSL values of 109°, 59%, 55%, which means it behaves predictably in interiors — a chalky beige cast in shade — without going chalky or muddy when the wall is large.
The closest commercially available paint matches are Sherwin-Williams Glade Green (SW 9669, #A4A571); Benjamin Moore Lucky Charm Green (2030-30, #61B83E); Behr Back to Nature (S340-4, #A8B17F). These are the nearest swatches by Lab-color distance — your local paint counter can custom-mix the exact hex if none of them are close enough.
On cabinetry in a typical bedroom, Untitled 60D048 reads as a confident, medium color rather than a background. It holds its character at scale, so test a 24×24 inch board on the wall before committing — a step covered in our paint-sampling checklist — because the chip in your hand will always look slightly different from the same color spread across forty square feet.
Pair Untitled 60D048 with soft greiges, raw wood tones, and unpolished brass hardware for a layered, lived-in look. If you prefer something cleaner and more contemporary, drop the wood and let it sit against bright whites and matte black fixtures — there is a side-by-side reference of warm vs. cool styling that walks through both directions.
If you are using this in a bathroom or kitchen, specify a scrubbable matte or a low-sheen eggshell — high-humidity rooms benefit from finishes that release moisture and clean easily.
A short way to remember Untitled 60D048: restful enough for a bedroom, confident enough for a foyer. That single sentence is usually enough to decide whether to pin it to your moodboard or move on to the next swatch.
Where Untitled 60D048 tends to fail is in rooms it was never asked about. A green designed for a calm bedroom can read sluggish in a kitchen with bright daylight pouring through a sliding door, and a color that anchors a moody dining room can disappear in a long, north-facing hallway. The fix is rarely to abandon the color — it is to use it on a smaller surface, or to lift the lightness by a single step. Both adjustments are inexpensive once you understand what the color is doing.